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金牌编剧王朔全新力作。上世纪60年代，郭小鲁与苏凌芳第一次相遇，本该青梅竹马一起长大的他们因为一场变故分别多年。未曾抵达的书信让二人踏上不同的人生轨迹，也开启了一生的命运羁绊。久别后的重逢正值两人风华正茂，他们身边也多了丁萌萌、王小莫和王青伟的陪伴。岁月流逝，一代人的命运在时代洪流中跌宕起伏。郭小鲁在经历了生离死别后与苏凌芳的再次重逢，他们做出了意想不到的选择。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。Tito, Kennedy, Johnson, Nixon, Carter, and Clinton in a narrative docu-fiction about Yugoslavia’s hitherto secret space program, which aimed to put American astronauts on the Moon and thereby win the Cold War. Can eyewitnesses unravel the web of lies, dirty political games, and conspiracy theories? 铁托，肯尼迪，约翰逊，尼克松，卡特和克林顿在一篇关于南斯拉夫迄今为止秘密太空计划的叙事文献中，该计划的目的是让美国宇航员登上月球，从而赢得冷战。目击者可以揭开谎...。