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每个火车司机在职业生涯中会撞死20多人，这些死者通常是因为寻死、失误、酒醉或仅仅是一不小心而丧生。伊利亚是一名即将退休的火车司机，他共撞死了28人。他19岁的养子西玛继承了他的工作，西玛非常担心自己也会撞死人，而老司机们都安慰他说，一周内就会发生，但是几周过去后，没有发生一起撞人事故，而这也使得他精神极度紧绷。伊利亚为了帮助他，找到了许多想要自杀的人，让他们跳到车轨上自杀，但是最终这些人都放弃了自杀的念头。无奈之下，伊利亚自己躺在了车轨上想用自身的死来拯救西玛…。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。克雷尔城堡有一个勇士，叫杰西，一次，在劫掠诫阿巴契城堡时，杰西救了一个叫艾伦的白种女人，后来才发现艾伦竟然是自己人的妻子，她的丈夫还被关押在阿巴契城堡。为了救出艾伦的丈夫，杰西向自己的好朋友斯科蒂中校求助，后者是康丘城堡的司令。斯科蒂中校率兵攻打阿巴契城堡，激烈的战斗打响了。这时，在杰西的带领下，部队迷失了方向，被敌人包围，杰西只身闯出重围寻求救援。斯科蒂中校在战斗中身亡，最后，仅有包括杰西在内的四个人活着离开了战场。。